Saguenay international
short film festival

Synopsis

Released in 1971, this lyrical short documentary marked the directorial debut of legendary Abenaki director Alanis Obomsawin. Filmed at a residential school in northern Ontario, it is composed entirely of drawings by young Cree children and stories told by the children themselves. Listening has been at the core of Obomsawin’s practice since the very beginning. “Documentary film,” she said in a 2017 interview, “is the one place that our people can speak for themselves. I feel that the documentaries that I’ve been working on have been very valuable for the people, for our people to look at ourselves… and through that be able to make changes that really count for the future of our children to come.”

Contact :
Animation :
Jennifer Alisappi, Ralph Cewitt, Barbara Cheechoo, Marlene Cheechoo, Steven Cheechoo, Vern Cheechoo, Patricia Cousatadi, Brian Davey, Leonard Echum, Sinclair Esiu, Angus Georgekish, Elvis Georgekish, E. Margaret Johnstone, Daisy Jolly, Lesley Jolly, Sarah Jolly, Dorothy Lahache, Eva Lahache, Jody Lahache, Wilma Lahache, Christine Lazarus, Paul Linklater, Peter Linklater, Priscilla Linklater, Rita Linklater, Sandra Linklater, Gordon Mills, Freddy Moore, Brian Morrison, Paul Moses, Bradley Nickoshie, Joan Rickard, Ricky Rickard, Douglas Small, Juliet Small, James Sutherland, Joanne Tobin, Sandra Tomatuk, Sheila Tomatuk, Ida Trapper, Lillian Trapper, Vincent Percy, Greta Visitor, Winnie Wapachee, Barbara Wesley, Brenda Wesley, Dolores Wesley, Eva Wesley, Linda Wesley, James Wesley, Johnny Wesley, Shirley Wesley and George Isbister
Music :
Sinclair Cheechoo, Jane Cheechoo and Arthur Cheechoo
Sound mixing :
Roger Lamoureux
Sound designer :
Jacques Drouin and Bill Graziadei
Screenplay :
Alanis Obomsawin
Producer :
Wolf Koenig and Robert Verrall
Image :
Raymond Dumas
Cinematographer :
Ben Low

Direction
  • Alanis Obomsawin

    One of the most acclaimed Indigenous directors in the world, Alanis Obomsawin came to cinema from performance and storytelling. Hired by the NFB as a consultant in 1967, she has created an extraordinary body of work—50 films and counting—including landmark documentaries like Incident at Restigouche (1984) and Kanehsatake: 270 Years of Resistance (1993). The Abenaki director has received numerous international honours and her work was showcased in a 2008 retrospective at New York’s Museum of Modern Art. “My main interest all my life has been education,” says Obomsawin, “because that’s where you develop yourself, where you learn to hate, or to love.”